{"id":9529,"date":"2026-05-19T15:32:02","date_gmt":"2026-05-19T12:32:02","guid":{"rendered":"https:\/\/globalart.co.il\/?p=9529"},"modified":"2026-05-19T15:36:50","modified_gmt":"2026-05-19T12:36:50","slug":"artist-statement-dekel-harari","status":"publish","type":"post","link":"https:\/\/globalart.co.il\/en\/artist-statement-dekel-harari\/","title":{"rendered":"Artist Statement &#8211; Dekel Harari"},"content":{"rendered":"<p>I work with newspapers. Not for what&#8217;s written in them, and not because they&#8217;re free &#8211; but for what they <em>do<\/em>. The newspaper is the most everyday material there is: it arrives, gets read, gets thrown out, and tomorrow another one will arrive just like it. It is routine itself, printed.<\/p>\n<p>In my work, I give it a different job. Instead of reading and discarding, I cut, paint, and build. Headlines become background, images become texture, and the words &#8211; written to be read once and forgotten &#8211; remain. They accumulate. They become a layer.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9511\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/CEO-350x467.png\" alt=\"\" width=\"350\" height=\"467\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/CEO-350x467.png 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/CEO-300x400.png 300w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/CEO-768x1024.png 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/CEO-600x800.png 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/CEO.png 1086w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/> <img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9513\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Earth-350x466.jpg\" alt=\"\" width=\"350\" height=\"466\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Earth-350x466.jpg 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Earth-300x400.jpg 300w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Earth-768x1023.jpg 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Earth-1153x1536.jpg 1153w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Earth-1537x2048.jpg 1537w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Earth-600x800.jpg 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Earth-scaled.jpg 1921w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/p>\n<p>The exhibition moves between two axes.<\/p>\n<p><strong>The first axis<\/strong> deals with the erosion of identity in the face of information overload. Figures without faces, faces dissolving into text, bodies absorbed by the background. We think we are thinking. We feel we are feeling. We believe we are choosing. But the same newspaper in the morning, the same scroll on the phone, the same route to work &#8211; actions repeated until consciousness learns to perform them without asking. Over time, habit becomes identity.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9515\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Headline-350x506.jpg\" alt=\"\" width=\"350\" height=\"506\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Headline-350x506.jpg 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Headline-290x420.jpg 290w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Headline-708x1024.jpg 708w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Headline-768x1110.jpg 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Headline-600x867.jpg 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Headline.jpg 1043w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/> <img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9517\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Hundred-Acre-Wood-350x454.jpg\" alt=\"\" width=\"350\" height=\"454\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Hundred-Acre-Wood-350x454.jpg 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Hundred-Acre-Wood-300x389.jpg 300w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Hundred-Acre-Wood-789x1024.jpg 789w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Hundred-Acre-Wood-768x997.jpg 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Hundred-Acre-Wood-1183x1536.jpg 1183w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Hundred-Acre-Wood-600x779.jpg 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Hundred-Acre-Wood.jpg 1232w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/p>\n<p><strong>The second axis<\/strong> enters the headlines themselves. I take an article, an event, a moment that passed through the news &#8211; and translate it into an image, the way it echoes in me. Wars, threats, escalations &#8211; things that happen again and again until they sound almost like the weather. Within this repetition, even shock erodes and becomes part of the background.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9521\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Loading-350x515.jpg\" alt=\"\" width=\"350\" height=\"515\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Loading-350x515.jpg 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Loading-286x420.jpg 286w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Loading-696x1024.jpg 696w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Loading-768x1130.jpg 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Loading-600x883.jpg 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Loading.jpg 1000w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9503\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/05_47-350x382.jpg\" alt=\"\" width=\"350\" height=\"382\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/05_47-350x382.jpg 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/05_47-300x328.jpg 300w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/05_47-938x1024.jpg 938w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/05_47-768x838.jpg 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/05_47-600x655.jpg 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/05_47.jpg 1200w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/p>\n<p>In these works, I try to give the image its weight back. To take moments that have already passed through us, and let them stick. Not as news &#8211; but as an image that remains.<\/p>\n<p>Peace takes the form of a weapon, a threat takes the shape of an anemone, and the line between growth and destruction blurs.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9523\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Read-More-350x369.jpg\" alt=\"\" width=\"350\" height=\"369\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Read-More-350x369.jpg 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Read-More-300x316.jpg 300w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Read-More-972x1024.jpg 972w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Read-More-768x809.jpg 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Read-More-600x632.jpg 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Read-More.jpg 1222w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/> <img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9525\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Swords-to-Plowshares-350x559.jpg\" alt=\"\" width=\"350\" height=\"559\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Swords-to-Plowshares-350x559.jpg 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Swords-to-Plowshares-263x420.jpg 263w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Swords-to-Plowshares-642x1024.jpg 642w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Swords-to-Plowshares-768x1226.jpg 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Swords-to-Plowshares-600x958.jpg 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Swords-to-Plowshares.jpg 802w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/p>\n<p>The title <strong>dd\/mmm\/yyyy of this solo \u00a0exhibition <\/strong>is an empty date format. A placeholder &#8211; the promise of the newspaper and of the everyday: that tomorrow there will be another day, with more headlines, with more information flowing through us without our stopping.<\/p>\n<p>I ask you to pause, to look, to think. I know that&#8217;s a lot to ask of a newspaper.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9527\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/To-be-continued-350x590.jpg\" alt=\"\" width=\"350\" height=\"590\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/To-be-continued-350x590.jpg 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/To-be-continued-249x420.jpg 249w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/To-be-continued-608x1024.jpg 608w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/To-be-continued-768x1294.jpg 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/To-be-continued-911x1536.jpg 911w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/To-be-continued-600x1011.jpg 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/To-be-continued.jpg 966w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/> <img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9509\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Archive-350x467.jpg\" alt=\"\" width=\"350\" height=\"467\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Archive-350x467.jpg 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Archive-300x400.jpg 300w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Archive-768x1024.jpg 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Archive-1152x1536.jpg 1152w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Archive-600x800.jpg 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/Archive.jpg 1498w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/p>\n<p><strong>Press statement<\/strong><\/p>\n<p>Dekel Harari is a contemporary mixed-media artist, working primarily with newspapers as raw material. His work explores the tension between information, routine, and identity &#8211; the moment in which a daily action ceases to be a choice and becomes a habit, and the way information overload shapes, and at times conceals, the human presence within it.<\/p>\n<p>Before turning to art, Harari came from a business background &#8211; a structured organizational environment in which data precedes intuition. His move into artistic practice grew out of a personal need to stop, lift his head, and ask the questions that have no KPI.<\/p>\n<p>In his work, the newspaper serves as both material and symbol. Not as a source of news, but as a surface that frames reality and at times obscures the person within it. Through layers of material, paint, and image, Harari examines the question of who we are before we are exposed to information &#8211; and who we become afterward.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9507\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/21.03.2025-350x491.jpg\" alt=\"\" width=\"350\" height=\"491\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/21.03.2025-350x491.jpg 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/21.03.2025-300x420.jpg 300w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/21.03.2025-731x1024.jpg 731w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/21.03.2025-768x1076.jpg 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/21.03.2025-1096x1536.jpg 1096w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/21.03.2025-1461x2048.jpg 1461w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/21.03.2025-600x841.jpg 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/21.03.2025-scaled.jpg 1827w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/> <img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-9505\" src=\"http:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/19.7.2024-350x507.jpg\" alt=\"\" width=\"350\" height=\"507\" srcset=\"https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/19.7.2024-350x507.jpg 350w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/19.7.2024-290x420.jpg 290w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/19.7.2024-707x1024.jpg 707w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/19.7.2024-768x1113.jpg 768w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/19.7.2024-1060x1536.jpg 1060w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/19.7.2024-1413x2048.jpg 1413w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/19.7.2024-600x870.jpg 600w, https:\/\/globalart.co.il\/wp-content\/uploads\/2026\/05\/19.7.2024-scaled.jpg 1766w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/p>\n<p><strong>Global Art\u00a0 Gallery &#8212; <\/strong><strong>Dekel Harari &#8211;\u00a0\u00a0\u00a0 19\/5\u00a0 \u2013 20\/6<\/strong><\/p>\n<p><strong>Opening \u2013 Wednesday\u00a0\u00a0 20\/5\u00a0 2000 Evening<\/strong><\/p>\n<p><strong>Curators \u2013 Michali Adler and Dr. Galia Duchin Arieli<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I work with newspapers. Not for what&#8217;s written in them, and not because they&#8217;re free &#8211; but for what they do. The newspaper is the most everyday material there is: it arrives, gets read, gets thrown out, and tomorrow another one will arrive just like it. It is routine itself, printed. In my work, I [&#8230;]\n","protected":false},"author":76,"featured_media":9509,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[473],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Artist Statement - Dekel Harari - The Tribal Art &amp; Culture Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/globalart.co.il\/en\/artist-statement-dekel-harari\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Artist Statement - Dekel Harari - The Tribal Art &amp; Culture Gallery\" \/>\n<meta property=\"og:description\" content=\"I work with newspapers. Not for what&#8217;s written in them, and not because they&#8217;re free &#8211; but for what they do. The newspaper is the most everyday material there is: it arrives, gets read, gets thrown out, and tomorrow another one will arrive just like it. It is routine itself, printed. 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